Cameron Moll / Designer, Speaker, Author

Keynote video, and upcoming speaking events

Fri, 14 Jun 2013 11:13:00 -0400

Future Insights has posted the video from my keynote talk last month in Las Vegas. Please have a watch, as I’m particularly pleased with how this one turned out.

As for other events, my roster through the Fall is fairly stacked:

Front-End Design Conference, June 20–22, St. Petersburg, Florida
Breaking Development, July 22–24, San Diego, California
HybridConf, August 15–16, Cardiff, Wales, UK
BlendConf, September 5–7, Charlotte, North Carolina
ConvergeFL, September 12–13, Jacksonville, Florida
Circles Conference, September 19–20, Grapevine, Texas
…and a few top-secret ones in October (to be announced)

Hope to see you at one of these.

What Apple [Might] Announce Today

Mon, 10 Jun 2013 10:24:00 -0400

All speculation aside (and there’s no shortage of it), this observation from Sean Everett is pretty insightful:

Jon Ive did add a “breathing” indicator light on prior generation MacBooks when the lid was closed and the computer was still powered on. The light pulsed at the same rate humans breath when sleeping. Hence, the reason the light performed that way. The computer was “sleeping”.

I think the thing that Apple will announce today will be something like this. Buried deep into the OS. Something you might not even notice at first. Something that might not even get talked about during the presentation today.

/via Designer News

The Launch is Dead

Thu, 06 Jun 2013 11:38:00 -0400

Kelly Sutton:

Launches … are a poor representation of how great software today is built. It’s a holdover from the days of boxed software, where supply chains had to be managed and masters golded. The same that is true then is still true now: great software is the result of continuous refinement. The only thing different today are the release schedules.

Software today is developed on a continuum. The discrete measure of software progress is a commit.

Seth Godin: “Leading Up”

Thu, 16 May 2013 16:12:00 -0400

From Seth Godin’s Creative Mornings talk last week, expounding on a principle he calls “leading up”:

One of the things that I hear the most after I give a talk or someone reads one of my books is, ‘That’s great, but my boss won’t let me. I’d love to do something like that, but my boss won’t let me.’

Well of course she won’t! Because what you’re saying to her is, ‘I want do something really cool and really neat, and if it works I’ll get the credit, and if it doesn’t you’ll get the blame. Because you said that it was okay.’

Who would take that deal?

In fact, what we see is that the people who have jobs or who have clients who are making a dent in the universe, are doing it by leading the people who are ostensibly in charge to make better decisions; leading those people to have better taste; leading those people to have the guts to do the work that they’re capable of doing.

The remarks quoted above begin at 05:15, but of course, the entire talk is worth watching.

“We’ve been conditioned for web apps to suck.”

Tue, 14 May 2013 16:28:00 -0400

Rob Foster, on web apps vs. native apps:

There is no single explanation [for why web apps generally suck]. The reason browser apps lose this fight is because of a raft of small things. It’s death by a thousand cuts.

After sharing some of those ‘cuts’ in detail, Rob lets loose with his opinion:

When an organization is making the decision not to spend developer money on building native, what they’re saying to me is that they value development costs over customer experience. I believe to do it right, you should offer your app in the way people want to use it the most. That may mean doing it browser-only, but it usually doesn’t. A business will always benefit from giving their customers a great (or insanely great) experience.

I agree pretty thoroughly with Rob’s sentiments, and I’ll tackle this issue at Breaking Development Conference in July. However, given my remarks are titled “Pitfalls and Triumphs of the Cross-Screen Experience”, I’ll also tackle the issue of integrating native apps and web apps into a cohesive, delightful user experience. (Sneak peek here.)

Nine Patterns Among Virtuoso UX Teams

Fri, 03 May 2013 10:29:00 -0400

The above slide deck is from my keynote presentation at Future Insights Live 2013 in Las Vegas, given earlier this week. (Access it here if it’s not showing.)

Update: A written version of this talk is now available.

Creating and managing teams that iterate, build, and ship quality projects is one of the most challenging things to master in our industry. And to ship quickly and consistently? Even more challenging.

This presentation presents nine patterns that I’ve found common among great UX teams. I draw on interviews with teams at the likes of Twitter and Kickstarter, as well as my own background running Authentic Jobs.

I’ll be publishing a written version soonly, as it’s tough to understand each pattern without the context of my spoken remarks.

Side note: Speaker Deck is pretty fantastic. Browse a couple other recent presentations of mine here.

A Week with Google Glass

Fri, 03 May 2013 09:47:46 -0400

Luke Wroblewski:

Almost a week ago I picked up my Glass explorer edition on Google’s campus in Mountain View. Since then I’ve it put into real-world use in a variety of places. I wore the device in three different airports, busy city streets, several restaurants, a secure federal building, and even a casino floor in Las Vegas. My goal was to try out Glass in as many different situations as possible to see how I would or could use the device.

A couple nights ago, I sat across the table from Luke at dinner (and later caught a pretty amazing show with him, Kristina, and Brad). He had his Glass in Vegas, and he rattled off some of the pros & cons he mentions in this article.

I still remain highly cautious about the actual utility of Glass, but I can appreciate Luke’s closing argument about its potential utility:

Any of these features alone could be considered magical, but together they’re a vision of the future.

Follow the project here.

“We’ve been hoodwinked into a trap of technological dependency.”

Wed, 24 Apr 2013 16:16:00 -0400

Frank Chimero:

One of the problems with the prevalence of solutions is it overvalues invention and undervalues behavior. We look for a gizmo, when changing how we act can have the desired effect. It seems like we’ve been hoodwinked into a trap of technological dependency.

But, technology is only as good or bad as what we use it to do, and I don’t think anyone who works in tech gets into the field with malice as their intent. In fact, usually the opposite, which is why I like this business. Hell, I’m one of the the folks in technology, so none of this criticism excludes me—I only suggest we stop looking at technology as the primary way to fix problems, and stop turning a blind eye to its negative consequences and to the new problems it produces.

Author Neil Postman argued the same more than 20 years ago when his book, Technopoly: The Surrender of Culture to Technology, was first published:

Most people believe that technology is a staunch friend. There are two reasons for this. First, technology is a friend. It makes life easier, cleaner, and longer. Can anyone ask more of a friend? Second, because of its lengthy, intimate, and inevitable relationship with culture, technology does not invite a close examination of its own consequences. It is the kind of friend that asks for trust and obedience, which most people are inclined to give because its gifts are truly bountiful.

But, of course, there is a dark side to this friend…. Every technology is both a burden and a blessing; not either-or, but this-and-that. Nothing could be more obvious, of course, especially to those who have given more than two minutes of thought to the matter. Nonetheless, we are surrounded by throngs of zealous Theuths, one-eyed prophets who see only what new technologies can do and are incapable of imagining what they will undo.

I first read Neil’s words nearly five years ago, and they’ve stuck with me ever since. I’ve found cognizance and respect of technology’s power—the good and the bad, for better or for worse—serve to bridle my appetite for it. For example, scan my Twitter timeline and you’ll be pressed to find a single tweet on any given Sunday from the past seven years. That’s my day of rest from technology (to the extent possible), and it’s a weekly opportunity to assess my dependency on it.

But much like Frank, I’m thrilled to be part of a community that embraces technology in such fascinating, meaningful ways. We’re fighting the good fight, and I’m honored we’re in this together.

Coincidentally, I’ll be speaking on this very subject in the closing keynote at HybridConf later this year.

In Defense of the Floppy Disk

Tue, 09 Apr 2013 15:35:00 -0400

Connor Tomas O’Brien:

Those who believe that the floppy cannot represent saving a document because nobody uses real floppy disks anymore miss an important point: while symbols initially piggyback on the meaning we assigned to a material object in order to stand in for something more abstract, once a symbol is used often enough, the symbol itself is enough to carry meaning, and the material object is no longer important.

I attempted to respond to the original discussion on Branch, but I gave up. I couldn’t phrase my opinion—nearly identical to the one quoted above—as well as Connor has articulated his.

/via @dstorey

Constraint Engenders Creativity

Wed, 27 Mar 2013 13:50:00 -0400

Seasoned designers know that constraint engenders creativity, rather than inhibit it. Following is one example. There are countless more.

In my research for an upcoming presentation, I stumbled on an account describing the evolution of the iconic Coca-Cola glass bottle. In the early part of the 20th century, the Coca-Cola Company was confronting an influx of copycat beverages.

In defense of the brand, the company issued a call for design entries with one unique requirement: That the bottle, and therefore the brand, could be recognized in the dark.

As retold by The Coca-Cola Company,

The Company … decided to create a distinctive bottle shape to assure people they were actually getting a real Coca-Cola. The Root Glass Company of Terre Haute, Indiana, won a contest to design a bottle that could be recognized in the dark. In 1916, they began manufacturing the famous contour bottle. The contour bottle, which remains the signature shape of Coca-Cola today, was chosen for its attractive appearance, original design and the fact that, even in the dark, you could identify the genuine article.

Today the glass contour bottle is one of the world’s most recognized designs, and it came about in large part because of constraints imposed on the bottle’s designers.

But that wasn’t the only constraint. The Root Glass Company and designer Earl Dean imposed a constraint of their own: Base the design on nature.

Wikipedia explains:

Chapman J. Root, president of the Root Glass Company of Terre Haute, Indiana, turned the project over to members of his supervisory staff, including company auditor T. Clyde Edwards, plant superintendent Alexander Samuelsson, and Earl R. Dean, bottle designer and supervisor of the bottle molding room. Root and his subordinates decided to base the bottle’s design on one of the soda’s two ingredients, the coca leaf or the kola nut, but were unaware of what either ingredient looked like. Dean and Edwards went to the Emeline Fairbanks Memorial Library and were unable to find any information about coca or kola. Instead, Dean was inspired by a picture of the gourd-shaped cocoa pod in the Encyclopædia Britannica. Dean made a rough sketch of the pod and returned to the plant to show Root. He explained to Root how he could transform the shape of the pod into a bottle. Root gave Dean his approval.

File this under Did Not Know But Thrilled To Have Stumbled On It.

Today is World Water Day.

Fri, 22 Mar 2013 09:51:00 -0400

Water World Day is a United Nations-sanctioned day for “focusing attention on the importance of freshwater and advocating for the sustainable management of freshwater resources.”

It shouldn’t come as a surprise that I’m asking you to help me celebrate today, March 22, by donating to charity: water. There are other ways to celebrate, but in terms of trackable, meaningful contributions, I can’t think of a better way to deliver freshwater to those in need than through charity: water.

You might even consider donating your birthday, which is a fantastic way to encourage others to help you provide clean, safe drinking water. The team at charity: water unveiled a new design today for the site today, and it’s crazy easy to pledge. It doesn’t matter if your birthday is tomorrow or ten months from now. Register and they’ll notify you when the time is right.

When Suzanne and I returned home from last year’s trip to Ethiopia, we had an entirely new appreciation for the convenience of clean water. Browsing the internets this morning, I stumbled on this video by Michele Guieu, who cleverly demonstrates the privilege of clean water enjoyed by so many of us around the world:

Join me once again in making a meaningful difference in the world. Even $1 is the equivalent of nearly two meals in Ethiopia. So imagine what $1 worth of clean water production can do to change a village, a child, a life every bit as valuable as yours.

Hired, a podcast about jobs, hiring, and company culture.

Thu, 14 Mar 2013 13:27:00 -0400

Hired is a new podcast about jobs, hiring, and the culture within companies across the web. You’ll hear my voice each episode, along that of my co-host, Adam Spooner.

Episode #2 features Josh Brewer, principal designer at Twitter. We discuss how a team of 40+ designers interact, what they look for in new candidates, and kale chips and unlimited bacon. (Nom.)

For me, it’s a bit different being on the other end of the mic asking questions rather than responding to them, having done a number of podcast recordings as an interviewee. It’s a lot of fun sitting in the host’s chair, but I’m finding it takes practice to drive the conversation and ask follow-up questions. I’ll improve over time, I’m sure. But bear with my scant awkwardness in the meantime.

See also episode #1 with Charles Adler of Kickstarter.

Typographica: Our Favorite Typefaces of 2012

Thu, 14 Mar 2013 10:18:45 -0400

I’m honored to be included in Stephen Coles’ annual compendium of new typefaces for the year. Not as a type designer, but as type user. My selection was Hoefler & Frere-Jones’ Idlewild, a beautiful wide display font family.

Other notable inclusions are the layered diversity of Quintet, the roman typeface Eskapade with its “fully realized Fraktur companion”, the dually print- and screen-friendly Turnip, and more than 50 other typefaces.

Speaking: Orlando, Las Vegas, Tampa

Thu, 07 Mar 2013 14:49:00 -0500

April 8–10: Breaking Development Conference, Orlando | @bdconf: $1,195; Pitfalls & Triumphs of the Cross-Screen Experience; Together we’ll examine what’s required to present a consistent, delightful experience to users regardless of where the experience begins, continues, and ends.

April 29 – May 2: Future Insights Live, Las Vegas | @Future_Insights: $995 (early bird special ends March 15); Crafting Virtuoso UX Teams; I’ll share several patterns that are common among great user experience teams, as well as successful prototyping tools, hiring methods, the importance of establishing a strong team culture, and more.

June 21–22: Front-End Conf, Tampa | @frontendconf: $149; Authentic Design; Details forthcoming. But pretty much like the topic says.

Eva-Lotta Lamm’s ‘Sketchnotes 2012’

Mon, 04 Mar 2013 13:08:00 -0500

I wish I could sketch like Eva-Lotta Lamm. I really do. Her sketches are pretty incredible.

Her new book, Sketchnotes 2012, is now available in print and PDF. “Visual notes of countless talks by inspiring speakers” from around the globe, as Eva-Lotta describes it. You can find the book on Amazon, too.

And somewhere amongst its pages you’ll find her notes from my talk in Düsseldorf last Fall.

Coffee table book? Pfft, no. This is a tome of inspiration. And in my case, envy.

“All we did was make something beautiful.”

Fri, 01 Mar 2013 13:21:00 -0500

A behind-the-scenes creation of the “Born & Raised” artwork for John Mayer’s album, from the hands of traditional sign-writer David A. Smith.

John Mayer’s own words (01:55), describing the artwork:

In this world we live in where everybody is trying to figure out the next strategy for PR, all we did was make something beautiful.

Who knew John Mayer had such a penchant for great design?

The font David created for the album, Mayer Font, is also available for purchase.

/via Quipsologies

“Play by your own rules.”

Mon, 25 Feb 2013 12:56:00 -0500

Josh Williams, recounting the history of founding Gowalla and the inevitable tussle with Foursquare:

A week before launch I came across some interview with Dennis Crowley where he described a new project that he and Naveen Selvadurai had been working on. It was called foursquare.

A week later Gowalla and foursquare would launch on the same day.

Eventually, an unassuming entrant would join the story:

While we were busy playing tug-of-war over check-ins, someone else found a path to the goal with less friction.

That “someone else” was, of course, Instagram.

About a year after the launch of Instagram, Gowalla’s service would shut down and several of us would join Facebook. Others would move on to new endeavors of their own. Ironically a couple from the team would join Instagram.

This is really terrific writing from Josh, whom I’ve been lucky to count as friend for a number of years. The concluding advice is clearly coming from the mind of a very seasoned entrepreneur:

Listen to your users more than the press. Don’t get sucked into the gravity hole between you and your competition. Ruthlessly run your own path, not someone else’s.

Set aside time to read the entire piece. Oh, and more writing please, Josh.

Is sketching dead?

Thu, 14 Feb 2013 10:28:00 -0500

No, of course it isn’t.

But that’s not as attractive as “Is [popular software] dead?” and doesn’t garner the same debate (and retweeting). Nonetheless, the question is the all the same: “Is [your method for visualizing ideas] dead?”

I’m one of those chumps who uses [popular software] as a means of expressing what’s in my mind, exploring options that haven’t yet crossed my mind, and articulating ideas to others. That sounds a heckuvalot like sketching, doesn’t it?

Understandably, the higher fidelity offered by [popular software] vs. sketching has the potential to mislead clients and inhibit idea-to-code workflow. But what is to be said of those who work in small in-house teams with a shared understanding of the web? Or of those who find the tool to be masterful for architecting and refining ideas, despite its limitations?

It’s not uncommon for me to share a static image—not the original document file, but simply an image—with Adam, who takes my design ideas for Authentic Jobs and brings them to life as code. That static image is no more inhibiting nor less articulate than a sketch. Nor any less than a screenshot (or actual code) of an adjustment I make to live code using WebKit’s Inspector.

We deserve better tools, yes. We’re obligated to try new methods. And we can debate the advantages and shortcomings of each tool and each method, to move us forward as an industry. But let’s do so in way that recognizes the personal preferences of individuals, and that acknowledges the fact that many of these tools and methods have produced, and continue to produce, successful work.

Coincidentally, this article by Javier Ghaemi is a notable example of moving us forward while recognizing the mastery of the tool debated.

Yours vs. Mine, a UI Conundrum

Tue, 12 Feb 2013 13:12:00 -0500

Dustin Curtis, adding his voice to a dilemma that I’ve had to wrestle with almost since day one of my career:

A question that inevitably comes up very early in the process of designing a new app is this: should the interface refer to the user as “your” or “my” when talking about the user’s stuff, as in “my profile” or “your settings”? For a long time, this question ate at my soul. Which is right?

Dustin sides with the “yours” camp, as have I for quite some time:

After thinking about this stuff for a very long time, I’ve settled pretty firmly in the camp of thinking that interfaces should mimic social creatures, that they should have personalities, and that I should be communicating with the interface rather than the interface being an extension of myself.

Others, notably Twitter for example, side with “mine”:

However, there’s a third option that deserves attention. No, not third person, though that’d make for an interesting user experience (“Her Profile”). It’s simply making the interface clear enough that pronouns and possessive adjectives aren’t needed. “Profile”, “Documents”, and the like.

In today’s world of following, favoriting, and friending, it’s increasingly difficult to distinguish between what’s yours (mine?) and what’s theirs (yours?). Understandably, labels are still needed, despite our best efforts to present the UI with clarity.

Hence, I’ll continue to side with “yours” as long as it remains necessary. There’s nothing worse than a FAQ page that says, “Please visit your ‘My English Lit’ page to learn more about pronouns and possessive adjectives.”

“Alive, but not fun to spend time with.”

Mon, 11 Feb 2013 11:58:00 -0500

Ian Lamont:

Using a [minimum] viable product is like visiting someone in an intensive care unit. They’re alive, but not fun to spend time with. As a result, I see more and more companies who focus on MVP produce products that fail to achieve their goals.

Instead, Ian suggests shifting development focus to creating a “Minimum Delightful Product”:

When a product is delightful it just makes sense. It works the way you’d expect and the experience is highly satisfying. Delightful products are adopted faster, get better word of mouth, and create higher satisfaction.

Those are claims that warrant data to back them up. But I can say from personal experience—and I bet you can too—that I have signed up for many websites and apps, only to leave some of them within 5 minutes after registration, never to return. They functioned, indeed. But they failed to delight and didn’t fill a void.

I side with something said at SXSW 2012 by @TravisBogard:

It’s not about being first, it’s about being first to get it right.

Boom.

/via @nicepaul